Buy Tickets Contribute

Calendar & Tickets

2021-2022 Season

Tickets and ticket policies

The Bach Institute

Event Calendar

Directions & Parking

Who We Are

History & Mission

Ryan Turner, Artistic Director

John Harbison, Principal Guest Conductor

Craig Smith Memorial

Musicians

Musician's Spotlight

Staff & Boards

Support

Annual Fund

Hercules Society

Pat Krol Fund

Cantata & Solo Underwriting Support

Planned Giving

Volunteer

Advertise

Engagement

Musical Conversations

Lieberson Fellows

Past Fellows

News & Reviews

Emmanuel Music in the News

Press Releases

Recordings

Buy CDs

Notes & Translations

Bach Notes & Translations

Motets & Liturgical Works Notes & Translations

Program Notes & Translations

Mailing List Contact Us

Motet Notes

Antonio Lotti: Crucifixus à 8


Antonio Lotti (1667 – 1740) was born in Venice and started singing at St Mark’s in 1687. He later became the organist at St Mark’s,eventually becoming maestro di cappella in 1736 Lotti’s music was influential amongst his contemporaries, and there are surviving manuscripts of his music which were written out by Handel, and Lotti’s music is also believed to have been included in Bach’s library.

The Crucifixus for 8 voices is perhaps Lotti’s best known work, and comes from the Credo in F Major for choir and orchestra (a setting of a movement from a Mass). The vocal lines enter one at a time, building up a richly imitative opening section. The remainder of the piece continues with imitative textures, with suspensions a strong feature of Lotti’s colorful and evolving harmonic language.

~ Ryan Turner


Emmanuel Music is the Ensemble-in-Residence at Emmanuel Church
15 Newbury Street • Boston, MA 02116 • 617.536.3356 • music@emmanuelmusic.org