Buy Tickets Contribute

Calendar & Tickets

2021-2022 Season

Tickets and ticket policies

The Bach Institute

Event Calendar

Directions & Parking

Who We Are

History & Mission

Ryan Turner, Artistic Director

John Harbison, Principal Guest Conductor

Craig Smith Memorial

Musicians

Musician's Spotlight

Staff & Boards

Support

Annual Fund

Hercules Society

Pat Krol Fund

Cantata & Solo Underwriting Support

Planned Giving

Volunteer

Advertise

Engagement

Musical Conversations

Lieberson Fellows

Past Fellows

News & Reviews

Emmanuel Music in the News

Press Releases

Recordings

Buy CDs

Notes & Translations

Bach Notes & Translations

Motets & Liturgical Works Notes & Translations

Program Notes & Translations

Mailing List Contact Us

Motet Notes

Jonathan Bailey Holland: The Mystery

In thinking about how to create a work to precede Cantata No. 4, I was drawn to Bach's source material, which was the chant Victimae Paschali laudes, or the Easter Sequence. This chant provides the melodic material that was later used by Martin Luther in his choral setting of the work in the early 18th century. The text from the chant is the Easter story and provides a melodic foundation and a form from which to begin. The motet ends with the intention of leading directly into the beginning of Bach's magnificent work.

© Jonathan Bailey Holland

 


Emmanuel Music is the Ensemble-in-Residence at Emmanuel Church
15 Newbury Street • Boston, MA 02116 • 617.536.3356 • music@emmanuelmusic.org